From beginning to end, Jesus of Nazareth offers a plethora of memorable scenes and exchanges which are more attributable to the Gospels and the actual life of Jesus rather than brilliant direction and acting ability.
It draws in the audience by creating an emotional sense of peace that lends credibility to the onscreen portrayal of Jesus. But this absence of the uniformly common trait of blinking creates a divine aura around the character of Jesus. At first, it's barely noticeable, and it takes some time to figure out what is so different. Zeffirelli makes powerful use of the camera by having his star, Powell, never be caught blinking in any scene. He calls on his disciples, teaches through use of parables, and displays many miracles. As Jesus (Robert Powell) develops into adulthood, we witness the beginning of his ministry. The film holds true to every utterance in the Gospels, recounting the census, Herod's decree, and the travels of Joseph and Mary. The scene where Mary receives her message is an especially powerful piece of cinematic artistry with no dialogue - only a warm light surrounding Mary as she bows in prayer. Each is told of the child that Mary will bear and what his name will be. The story begins with Joseph (Yorgo Voyagis) and Mary's (Olivia Hussey) reception of God's angels.
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